Americans Under 70 May Find That 2008 Was Their Least Favorite Year (Bloomberg News Service)
PS. I bought a Nord Lead 2, so 2009 is already off to a great start.
I'm in Flippers, full pitcher in front of me and my 11 pm phone date notably absent (the internet at Flippers is far more reliable than the internet I scam from the neighbors, hence being here for a phone date with my friend who lives in Finland). I thought I could use this time to catch up on my blogging, but... I don't really have anything to say.
However, since this seems to have turned into a video blog, I'll leave with with this:
I find it entertaining. And it not Chris Lilley!
I frantically picked it up and stuffed it into my pockets. A thought flashed in my mind. My father needed this money to save us and i was taking it to go score Mexican black tar heroin. That thought quickly passed and i moved with singular purpose, like an automaton, to the back door and quietly left. Quietly pushing the door closed from the outside. Only the slightest sound of the door closing with a puff of air from the inside pushing it's way through, like it was following me out --cherries, tonka beans and cedar.While crossing Parc Monseau on my way to Jasper's house (Jasper dealt heroin), I smoked a little crack to take the edge off. It felt burning cold as it filled my lungs. Then, I cooked some meth and smoked it. It was then I spotted three Gestapo officers smoking cigarettes by the main path in the center of the park and they looked over and i started walking toward them with purposeful strides. That was the rush of the drug. The meth. The crack. Pushing through me. I was half the size of the smallest one of them, but when I had that fire in me, I had a different structure. Everything changed. I moved differently. I saw differently. It was electric and hot and white energy, blinding and baneful. I wanted these guys dead. These fucking Nazis that would take my family away without remorse. They didn't care. I didn't care. It was noon in Parc Monseau in Strasbourg and I was high again and my family was about to be hauled off by the Gestapo. It was driving me toward them. Compelling me. I was just inside my own body watching and listening and the sounds were muffled and everything was clipped, like I was a thousand pieces. I was nine years old and I was high again.
Chapter 2
Fourteen or so hours since my last fix. Last fix was at Redmond's house. He told his mom we were going upstairs to play with his toy trains. Redmond had an amazing set of Carette trains. We sat on his floor. He handed me his belt. I rolled up my sleeve and wrapped his belt around my arm. I pulled it tight with my mouth. Old leather. The taste was familiar. Leather in my mouth. My body anticipating all the sensations, the thunderous calm, the shadows in a empty room.
When I feel the stuff in me, I am alone in a room crouching and watching and I am in my head and I can see me on the outside, the real me, but I can't touch me, but I am not sad or anxious. I just watch and I am relieved that I just can sit and watch. Redmond scored some needles from his mom who worked at the Strasbourg Hospital changing linens for the patients. Sometimes she took him to the hospital with him and he ran around there, while his mom worked. One day he found a medical supply room and pocketed a handful of syringes. Redmond was my heroin mentor. He shot me up my first time at recess, behind the school building in the alley. I was scared and cold and i watched my breath leave my mouth in disappearing clouds and the needle went into my arm and I flinched and Redmond told me to stay still and it felt thick as it popped through the skin on my arm and then a rush of cold in elliptical waves, like a clean snowstorm inside my body and I looked up at Redmond and passed him into the strip of blue sky between the buildings above. I don't know when, but I started to feel sick and dizzy, like I was turned upside down and I felt like I was going to vomit and I did. I vomited up brown fluid with red chunks, then green and yellow kernels, then blue viscousy liquid, then white froth, then thin clear diaphonous fibers, like cotton candy, and I couldn't feel better for what seemed like forever, but Redmond stayed with me and he placed his hand on the back of my neck and I remember his hand. I loved his hand there. Strasbourg was strange and phatasmagorical when the Germans came. I remember feeling both scared and awed by the changes. Their was a dark mood, and yet everywhere, at any time, something unexpected would happen and this had a morose appeal. Especially as a kid where I couldn't completely understand the consequences, i just soaked in the snippets, like looking through a Viewmaster or the feeling of walking through a State Fair, where everything is commotion and wonderous and furious and random energy. German soldiers in symmetrical packs marching briskly. Piles of books burning on sidewalks. Soldiers beating women in front of their husbands in the middle of the street for wearing berets. Glass breaking and men crying and shouting. Snippets. Strange, sublime images. Surreal and real. Intense.
In school, lessons were taught in German and not French and M. Guigot, our fifth grade teacher, was no longer gregarious at one moment and stern the next, but rather sullen all the time. We were made to sing Nazi marching songs and showed bizzare illustrations of Jews. Jews with hats. Jews with waxed moustaches. Jews with lasers shooting from their eyes. Jews with talons on their hands wearing house coats. Jews. Jews. Jews. I began sniffing everyday. First it was heroin, then heroin combined with meth, then meth and heroin combined with sodium hypochlorite (pool cleaner). After a few weeks Redmond and I were high every day together. We were so high, we never even cared about the spot searches and the beatings and the constant harassment at the hands of the Gestapo. Soon, we got into heavier stuff. That's when we started doing 'chemo'. Once a day, we would walk after school through the 'Brown Zone', an area in west Strasbourg completely overrun by the Nazis, and up the hill to the free clinic, where we would use Redmond's mom's pass and some doctored paperwork to get full radiation treatments. 'Chemo' mixed with meth was a total bleached-out high. Raw. Hot. Every sense blown out and destroyed. We couldn't get enough, but soon the end was near. The Nazis were about to call for a city-wide lockdown and that meant no access to smack, meth or chemo. We hadn't had enough and we were willing to take any risk. Our lives meant nothing to them or us.
Chapter 3
When I returned home, my house had been ransacked. Papers strewn everywhere. Mama's rocking chair broken. Plates and glasses smashed in pieces all over. Papa's pipe on the floor in the center of the sitting room, cracked in two, with his tobacco pouch ripped open next to it. Shattered. Everything shattered and quiet and spectral and different. In the center of the house, a smoldering pile of family photos. On the walls, written in spray paint, large and looming, 'Jews are Assholes'. On another wall, 'If You Lived Here, You'd Be A Jew By Now'. On another wall, a rebus. A picture of a glass of juice, then the letter 'R', then an 'G' with a plus sign then a bail of hay.Everything was falling apart.
I was reeling and nothing mattered. I couldn't help looking at my house in ruins and my family gone and not feel anything...like i was encased in ice and everything around me looked fuzzy and melting and unreal and anfractuous and all of it folded into a dream spun by an old wooden spinning wheel that was melting and thoughts crashed in my head of snow falling softly and a doll lying on a cobble stone street and a man with a beard and puffy lips laughing and a hand on a upholstered chair with yellow fingernails pulling at the fabric nervously and the sound it made and the wheel spinning and spinning and the fingernail scratching and the wheel and the hand and the flicker of a streetlight and the echoes of everything i know and knew. I woke up on my living room floor sometime later and I didn't know what time it was. Darkness filled the room. I had befriended a young Nazi soldier named Heinrich days before at Julian's (Jasper's twin brother) house, where we would sit and smoke crack and watch American football and listen to Devendra Banhart. This was a time when everything was in flux in Strasbourg. The buildings were the same, but the city was a foreign place, like a parallel universe. The Nazis controlled everything and people were just left waiting. Waiting to see what would happen next. Waiting. Faces frozen and sad. Vacant glares and slow, anxious steps, waiting for that moment when the Gestapo approached and dragged them away without consequence. Time itself had come undone and the air seemed thick with a muddied dread. I stopped going to school over a week before I found my parents and brother gone. I basically lived at Julian's, which he had transformed into an after-hours club for young Nazis who wanted to get high. But, it was just a matter of time before they would send us away. During the day, we would sit on the corner of Rue Charlotte in front of the dime store and sing doo-wop for change. At night, we would take the change and melt it down and smoke it, along with whatever else we could scrounge. I had developed open sores on my face and arms, most likely from dirty needles and such.
When needles weren't available, we would use anything we could find or rig--mostly old cathode ray tubes (the toxic phosphors inside mixed with the heroin really made your veins cry), hollowed out lemons connected to bike pump needles, pencils, pomegranite seeds, anything we could muster up to push that syrup into our arms, eyes, thighs, arches of our feet, wrists, the soft spots of our skulls, heels, pinkie-tip pads, the smalls of our backs and shins. It was high tide on heroin beach and the waters were filled with Nazi sharks, smelling blood. Over the course of the next week, the Gestapo cut off all suppliers of smack coming into Strasbourg. The turkey was about to get cold. It was 1940. I was turing ten years old in two weeks. It was going to be a birthday to remember.
Chapter 4
Heinrich, sweet, Heinrich
We kissed and kissed some more
You made my mouth dance
Heinrich, oh, Heinrich
Nothing lasts, everything turns
Hope is illusion
Even our kiss...
What was it about this douchebag Nazi that I fell for? His pudgy red cheeks. Doughy. His dead eyes. His placid, sallow face. His thin lips hiding his crooked yellow teeth. Had this fuckhead never been a dentist? Where was he from? Some sad bleak industrial town where men wore sooty tan overalls and beat their wives and worked and worked and drank and gambled and drank and sat in dusty upholstered chairs reading Der Stuemer and blaming everything and everyone and it would be dark and grey except for some days where the blue sky and the shining sun would make it all seem worse. But when he gets high, he sneezes. It's his thing. Always sneezing and I play this game with myself where I try not say 'bless you' and it's hard to do,
because it's second nature to say 'bless you' and I have to strain to not blurt it out and he keeps sneezing and I hold onto this and it builds and I look down and focus and I just want to say 'bless you', but I don't and it builds and I want to scream and again and again and it hurts not to do all I know to do. Another sneeze and I look into his fat face and I brace myself for not knowing. Sometimes, when you peel an orange, there's a another miniature orange inside. Not always, just sometimes. Some oranges that appear to be one orange from the outside are two on the inside. I am two oranges. I took Heinrich to my house and asked him if he could help find my parents and my brother. I knew I shouldn't bring him there, but I was two oranges. We sat and drank smackaccino's, which are espresso with steamed milk with heroin mixed in with it and some powdered PCP on top. It's a jittery high that help you get stuff done. Heinrich made some kick-ass vegetarian chili we sat and made mix tapes and ate and laughed and felt like being high was a gift from God.
Heinrch's Nazi Mix to Jon
Almost Crimes- Broken Social Scene
Jocko Homo-Devo
Kampflied der Nationalsozialisten by Kleo Pleyer
I Turn My Camera On- Spoon
Bomb in the Bee Hive- Guided By Voices
Deutschland Erwache- Anonymous
Whenever You're on My Mind--Marshall Crenshaw
Radio Free Europe-R.E.M.
The German National Anthem--August Heinrich Hoffmann von Fallersleben
Slack Motherfucker--Superchunk
Als Wir Nach Frankreich Zogen (As We Drove Into France)
Pet Sounds- The Beach Boys
I've been postponing actually writing this entry for quite some time because I'm honestly still a little undecided about it. I've convinced myself that one of these days I'll wake up and the entry will write itself; that I'll know exactly how I feel about each album and be able to rank them accordingly. Nope. Not happening. This is my best shot.
Here it is:
1. These New Puritans - Beat Pyramid
I anticipated this release since TNPs composed the track "Navigate, Navigate" for Hedi Slimane's Dior Homme show. They wrote and recorded the thirteen minute track in less than a week, at a time when not one of the members was more than nineteen years old. At no point does this album disappoint. TNPs have truly perfected the genre. Since it's release in March I have listened to Beat Pyramid, from beginning to end, almost every day. It might not be the most inventive, technically perfect, timeless album, but for this year, it made its impression.
2. Portishead - Third
I acquired this album four times this year: when it was leaked, I bought it on iTunes, the CD, and then the box set. Twelve years later, breaking out of the genre of trip-hop, Portishead put out a relevant and incredibly solid collection of songs. When it all feels like it might be getting a bit too heavy, they break the mood with "Deep Water", a simple acoustic track that is far more along the lines of Beth Gibbons solo work, but nonetheless fits perfectly. This album, and Beach House's "Devotion" acted as the soundtrack to much of my late winter, early spring.
3. TV on the Radio - Dear Science,
As you'll later find out, I forgot about this album. How did I do that? I blame sleep deprivation. This album should not be forgotten. "Halfway Home" is possibly the best opening track of any album this year, so much so that I often have a hard time not listening to it over and over instead of letting the album play. However, once I burn myself out, I'm reminded that the rest of the tracks are equally as great. From the immense sound of "Stork and Owl", to the catchy handclaps on "Golden Age", and the cacophonous build in "Love Dog" this album runs the gambit. I must say, though, does "Family Tree" sound a bit too much like "Adventures in Solitude" by The New Pornographers to anyone else? Not necessarily a bad thing, but it's distracting.
4. The Kills - Midnight Boom
This album is unrelenting. Like on "Keep on Your Mean Side" and "No Wow", every track plays its part in creating a fluid whole. Because of this, it's hard to pick a favorite track on the album. There seems to be something for everyone, and every mood. I can still only remember bits and pieces of seeing them in Seattle as the whole experience was a bit surreal. Thanks goes to Jared for introducing me to their music.
5. The Muslims - S/T
If there was one band I wish I could have seen in 2008, this is it. Their take on simple, American garage rock makes me yearn for simpler times. Many people have said they sound like The Strokes of 2008, which is understandable, but to me discredits The Muslims. The Strokes released their first album in a time when their genre was thriving. In a year ruled by synth pop, mash-up, vocoder and autotune, this band stuck true to a timeless sound. Let us hope more people come to their senses and we can witness the extinction of vocoder and autotune.
6. Hot Chip - Made In The Dark
I forget how much I like this album. Hot Chip has always been great at juxtaposing their quick, danceable tracks with their slower lovelorn ballads. My qualm with this album, however, is that it completely loses me after "Don't Dance". The last two tracks may as well not exist for me because it is always at that point that I restart the album. I've tried my damnedest to let them grow on me, but there's only so much trying will achieve.
(This is why I've been putting this off... It is at this point I've realized that I forgot about TV on the Radio, which means I have to go back and try to figure out where it fits. Fuck.)
7. Beach House - Devotion
Upon seeing them play two years ago at Crazy Daisy, of all places, I fell in love. The follow-up to their self-titled debut was perfectly executed. Many sophomore releases fail by trying too hard to be different from the first, but Beach House stuck to their guns and hit the mark. When I listened to "Astronaut" for the first time I was put off, but, with less than a minute left on the track, the song evolves into something, if only briefly, delightfully catchy. Their new single "Used to Be" is definitely worth giving a listen.
Beach House - Heart of Chambers
8. Crystal Castles - S/T
I don't really have that much to say about this album, that hasn't been said already. Over the top at times? Yes. But I still listen to it at least once a week. It's good. That's all I have to say.
9. Clinic - Do It!
I feel that at this point it is necessary to clarify that this list is based on many different things. One of them, which plays a large role is some sort of emotional connection to the album. I have always liked Clinic, and while this album isn't groundbreaking, it is comfortable and that's not always a bad thing. And while I find myself listening to 2007s B-side release "FUNF" on more occasions, "Do It!" is still a great album. I think Clinic is the reason I like Vampire Hands as much as I do; they have very similar sounds. Also, the last track "Coda" is possibly the most effective closing track on any album this year. When it comes on you know they're wrapping things up. It leaves you with this feeling of, "Really? Already?" but doesn't leave you feeling empty.
10. Santogold - S/T
The number ten spot was easily the hardest to fill. There were several bands in the running but ultimately I feel like I can't overlook this album. The range on this album is incredible, and the list of collaborators is equally as impressive. There's nothing more I can tell you that you don't already know: This album is great.
By the way, I know this entry is long as hell, and I apologize. Stay tuned for the honorable mentions and bonus round...
P.S. Blogger is the most fucking finicky site. Apparently, when you copy and paste from another program, blogger likes to remember any previous formatting and then make it impossible for you to remove it. That's why this post looks janky. Laugh hard Eric, this is karma for being so anal about spaces. Imagine how much this is bothering me...